How Elvira, Mistress of the Dark Slot Works

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The base game of Elvira slots machine is slightly different from your usual slots. First, the base game has a 6×6 configuration, which is much larger than your average slot – and many of the Elvira symbols are two high. You’ll win when symbols appear in clusters, so there’ll be no need to worry about win lines at all. For instance, if you have two matching symbols on reels 2, 3 and 4 and they are all touching/connected, a win will come your way. The symbols are a good combination of images from the films, including various images of Elvira in different poses and a number of other symbols with a ‘horror’ theme, including coffins, bats and skulls.

Throughout the Elvira slot machine, you’ll find images and film clips from the movie, many of these tongue-in-cheek, with the same kind of sense of humor you will have found if playing the Austin Powers slot. For example, every time the reels stop and Elvira appears on the reels, two particular parts of her anatomy will wobble.

Elvira, Mistress of the Dark – Seven Bonus Features

There are seven bonus features in all:

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• Elvira’s Growing Reels
• Elvira’s Big Wheels
• Boob Tube Pick Bonus
• Double D Vision Free Games
• Booby Prize Jackpots
• Elvira’s Mega Symbols
• The Breast Prize Ever

Growing Reels is one of the most enjoyable of these bonus features, where you’ll begin with the standard reels on the lower screen of the two, but after each spin the reels will grow to eventually take up both of the two screens. Between each spin, Elvira herself will appear full screen and make a suggestive comment (‘wow, what a huge win you have…’) which adds even more humor to the game. With these expanded reels, the chances of a big win are much more likely. Slots grape free chips.

Elvira’s Big Wheels see two ‘Wheel of Fortune’ style wheels spinning in front of a full-size Elvira’s cleavage, the left wheel showing a winning credit amount, while the right wheel shows a multiplier. At this point your eyes will be focused on that part of Elvira’s anatomy and for added comedy Elvira even adds comments such as, “Hey, my eyes are up here!”

The ‘Boob Tube’ is an entertaining bonus round where you’ll find a series of old-fashioned television sets piled one on top of another. Each one shows a ‘cult’ TV show and then you’ll pick one of icons associated with the show. Here you’ll win credits and finding the icon with ‘advance’ will see you move to the screen above and then start again. The shows include ‘The Brain that Wouldn’t Die’ and ‘Conquer the Martians’, so people who enjoy retro TV shows will certainly enjoy this round. The one icon you’ll want to avoid is ‘collect’ which will see the feature come to an end. You won’t want to hang around playing this, as Elvira will appear and loudly exclaim “Will You Pick Something Already?”.

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Frank Polk was born in Louisville, Kentucky, in 1908, but moved to Phoenix, Arizona, in 1911. His first job, at age sixteen, was in the rodeo, working with his trained burro. He later landed his first cowboy job with the Yolo Ranch at Camp Wood. His 1978 autobiography, F-F-F-Frank Polk: An Uncommonly Frank Autobiography, tells of his adventures as a cowboy.

Polk’s experiences, as a ranch hand, rodeo cowboy, and dude wrangler; gave him enough material to tell authentic stories of the cowboy in America in his basswood and bronze sculptures. In the early twentieth century there were no cameras, so Polk began to carve what he saw. He wanted to communicate what cowboy life was all about. Polk eventually opened a woodcarving store in Reno, Nevada. He was creating wood sculptures of Western scenes and models of characters for slot machines when George Phippen got him interested in the idea of casting figures in bronze. “Working in wood made it difficult to achieve the action and looseness I wanted,” Polk said, “but after I started working in wax, I found I could obtain these qualities with much more freedom.”

In 1967, Joe Beeler asked him to join the Cowboy Artists of America, “the best thing that ever happened to my career as an artist,” Polk later said. In 1972, he and his wife, Mary, settled in Mayer, Arizona. He bought the Old Mayer State Bank, which Polk had wanted to own ever since he was a boy, and turned it into his studio.

Polk believed that to be an artist is to follow a calling. “I believe that everyone has a talent for something, but many do not find it. What sets an artist apart and makes him different from the other members of society is his creative nature,” he said. “An artist’s creativeness comes from within. It is not something that can be learned in books, although lessons from another artist more mature in his work can help. An artist is born with a gift from the higher-up and a constant inner contact with his maker.”

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Collections: Leanin’ Tree Museum of Western Art, National Center for American Western Art

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CAA Member from 1967-2000
Born: September 1, 1908
Education: Self-taught